Not every family is normal. Some have only one parent, some have grandparents in the mix, some feature same sex parents, there may be abuse, may be spoiling, poverty and the
Bechdel family had quite the unique dynamic. In Fun Home Alison Bechdel recounts this story through the comic book
medium. After only reading the first half, one can understand how this unique family life came into fruition. The head of the household was the Father and the way he prioritized his life caused many problems within the family. The fact that he cared more for how the
wallpaper looked rather than how his kids feel was what seemed to be the main
issue.
The
father was an English teacher who also helped with a funeral home. Those two
professions are radically different than an interior designer and landscaper, which were his true passion. His whole adult life was essentially spent perfecting his home. Looking at the words of the story, this is the conclusion that
would be drawn. However, looking at the images a drastically different view can
be taken. After considering how Alison Bechdel illustrated her frames is leads one to believe the
father was living a secret homosexual life and his strive to perfecting his environment is due to his inability to control his secret life.
To
live a lie is a very detrimental act on your interaction with others. The
father could not fully express his innate love for his children. As many images
show, the father has a stoic expression. Even while trying to fix the house,
trim the hedges all that is done, his face remained blank faced. If something
takes up almost all your time, something that is essentially all optional, why
would it cause no joy? This may be because all of what he does is simply a
façade.
While the
father wanted to live his true life, he had to hide it from his family, so he did all he could to express his sexual
orientation throughout the design of the house. As Alison put it “What kind of
man but a sissy could possible love flowers this ardently” (Bechdel 90)? This
fascination with flowers may be his way of trying to plant his feelings away
and hope they grow and bud into a new beautiful plant. Which could be his attempt
at trying to hide his secret in a way that it may grow into something else more
innocent.
All
of his life he was hidden away somehow. Looking through the first half, one
will notice the father is doing one of two things, working or reading. Hardly
ever though, will there be a smile on his face. Even when the grandma tells the
story of him as a child getting stuck in mud, his expression is stone cold. His
emotions mirrored that of his obelisk collection, stone like. The obelisk also
interesting since it symbolizes, according to him, life; but also is a phallic
symbol of sorts while also being his headstone at the cemetery. All of this
adds up to describe the father in an abstract way. He is a resigned figure that
has a hidden life. The obelisk is a stone figure head that covers his corpse
six feet underground. He is hiding his life six feet within himself, doing all
he can to cover up how he truly is.
The
happiest the father ever looked was on page 120. The illustration is of several
photos of Alison’s father when younger. She attributes one of him in a bathing
suit to possibly being part of a fraternity prank. However, she points out that
most boys in fraternities when carrying out a prank, would feel slightly
uncomfortable or just be quite silly about it; her father seems to be “lissome,
elegant” (Bechdel 120). He seems to only be comfortable once finally able to
express himself fully. Another photo shows what may be the first smile on his
face in the book. It depicts him sunbathing and possibly with his lover, when
compared to a photo of herself smiling with the same exuberance on her birthday
as her lover took the pic. She makes it seem like together they are parallels
and gives an insight into how her father feels.
Overall,
every action and symbol of Alison Bechdels father’s life was an attempt to
conceal the feelings inside. He had homosexual affairs, yet was married with
two kids. He attempted to bury away his feelings by planting flowers,
collecting obelisks, painting the shingles, rolling on wallpaper, organizing
rooms. Every which way to keep himself busy, including whisking off into a book
with any downtime. The efforts he put into hiding his life ultimately hurt his
families. The mother a once exuberant woman with dreams of traveling the world into
looking perpetually unapproachable and unhappy. She must have felt the
repercussive effects of the dulled love from her husband. Even, the father
himself could no longer handle how he was living his life, with possibly taking
his life at 44.
Your first paragraph doesn't do enough - the thesis is a little obvious, and the preceding material is totally unnecessary. I like your emphasis on how *both* of his professions differ from his passion, but you drift back into very obvious material again: "After considering how Alison Bechdel illustrated her frames is leads one to believe the father was living a secret homosexual life and his strive to perfecting his environment is due to his inability to control his secret life." -- This is a statement of the obvious, nothing resembling an actual argument.
ReplyDeleteYou finally get into something that isn't totally obvious with your discussion of the obelisk. That it's a phallic symbol, of course, is obvious, but it's less obvious what it means, and it would be interesting to see you explore it. Does a phallic symbol have a special meaning for a man living his particular, closeted life? I think that's what you want to argue, but it's not totally coherent.
The observation that he looks at his happiest when he's a young man wearing a woman's bathing suit is also obvious. That doesn't mean it would be a bad start to an argument, but you can't just state that he's living a closeted life and leave it at that - that's plot summary. It's also obvious that his closeted life does tremendous damage. But what do the details of that life mean? Why does he express himself so strangely and dramatically through the house? Can you relate certain details of the house, for instance, to the image of him in the bathing suit? That's still not quite an argument, but it's taking us closer to one, at least.
Overall: There's no real argument here - it's all obvious enough that it verges on being plot summary.